SnoWhite
By Frank Nimsgern and Frank Felicetti
World Premiere: 2000 at the Saarländisches Staatstheater
SnoWhite Reloaded
Opera Bonn 2014
Synopsis
There is turmoil in the fairy-tale kingdom. Witches attempt to disrupt and ultimately destroy the fairy-tale world with the help of a “spy.” The Snow White story, confronted with such an attack, provides fertile ground for a large-scale musical spectacle. Monumental fantasy worlds and sounds combine with musical highlights that strike directly at the heart—and the gut. Witches and dwarfs, hunters and hunted.
The story: Witches—here the “Mirror Witches,” responsible in the Grimm Snow White tale for answering the Queen’s questions—seek to throw the fairy-tale world into disarray and cause its collapse. In doing so, they hope to free themselves from dependence on the mirrors and the fairy-tale realm.
To achieve this (and because they must feign an “honorable intention” to a higher power), they intercept a suicidal man on his way to death and insert him into the role of the “Hunter” from the Snow White story. Allegedly, this is to redeem him and teach him about the meaning of life, death, and the power of choice.
The plan is that the Hunter will eventually abandon his “fairy-tale compliant” role, thereby triggering chaos. Initially, this unfolds in accordance with the witches’ intentions: the Hunter does not end his function after sparing Snow White, as in the original tale, but falls in love, remains, and personally takes responsibility for saving her. This predictably disrupts the familiar storyline. One consequence is that Snow White truly dies, and the known rescue attempts (expelling the apple, removing comb and bodice) fail.
At this point, the witches realize that if Snow White remains dead, the Queen will indeed be—and remain—the fairest of them all, leaving them eternally bound to her and the mirrors. The situation must therefore be corrected.
Through an oracle’s prophecy, they grant the Hunter—initially without his knowledge—the power to awaken Snow White with a kiss. This occurs, but with an unexpected final twist to the entire story and the evening as a whole.
Performance Rights: @franknimsgern@me.com
Music: Frank Nimsgern
Libretto: Frank Felicetti
Press Reviews
“Nimsgern moves between bombastic film music, ethno, funk, comedy, and rock.”
“A musical that need not fear comparison with Broadway productions.”
“Nimsgern, Felicetti, and Ottenthal created a culturally significant rock-soul musical with Snowhite.”
Creative Team
World Premiere, Saarländisches Staatstheater 2000
Direction: Matthias Kaiser & Marvin A. Smith
Musical Direction & Orchestration: Frank Nimsgern
Set Design: Detlev Beaujean
Costumes: Geesha Gayden
Choreography: Marvin A. Smith
Main Cast
World Premiere, Saarländisches Staatstheater 2000
Narration (Tui Version): Hannelore Elsner
Queen: Aino Laos
Hunter: Martin Berger
Minitou: Frank Felicetti
SnoWhite: Barbara Baer
Witch: Peti van der Velde
Creative Team
SnoWhite Reloaded, Opera Bonn 2014
Direction: Elmar Ottenthal
Musical Direction & Orchestration: Frank Nimsgern
Set Design: Elmar Ottenthal
Costumes: Judith Adam
Choreography: Brigitte Breternitz
Lighting Design: Thomas Roscher, Max Karbe
Main Cast
SnoWhite Reloaded, Opera Bonn 2014
Queen: Aino Laos
Hunter: Fabrizio Barile / John Davies
SnoWhite: Michaela Kovarikova
Minitou: Frank Felicetti
Witch: Nina Alexandra Filipp
Dwarf/Transvestite: Maurice Stocsek
Dwarfs: Ayuk Bobga, René Buckbesch, Lucky Mond, David Schmidt, Lin Verleger, Chris Raap (Swing)
Witch/Dance Captain: Sabine Lindlar
Witches: Angelina Curilova, Valerie Potozki, Kateryna Morozova, Susanna Stecklein
Witch/Swing for Transvestite: Tatjana Jentsch
Images Opera Bonn 2014
Images Saarländisches Staatstheater 2000
Official Videos
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Score Samples
FAQ about the Production
Here you will find the most frequently asked questions and answers about SNOWHITE – clearly summarized for quick reference.



